For almost forty years, Cappella Pratensis has been renowned for its innovative approach to the performance of Renaissance polyphonic music, being one of only a handful of professional ensembles in the world who perform directly from historical notation, as opposed to transcriptions in the form of a modern choral score. Under the leadership of Tim Braithwaite, the ensemble has recently dived further into the musical traditions surrounding this repertoire by exploring historical methods of improvisation and pedagogies, as well as working within the contexts of liturgical reconstruction. The result is an inherently immersive approach in which the performers draw on a truly embodied relationship with past musical cultures in order to provide convincing and engaging performances.